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Posted by admin in Poems on February 13th, 2010

Then count the glasses, the blinds, the dots on the wall, count them, count them afterward, always afterwards, always after words…was it always like this or was it like this then and then for some reason now because of her age, now go.

Rock’n roll

This album is in my car

The hounds of hell,

There is no help for you here girl go away, there is no home for you here, there is no help for you here girl go away, there is no home for you here, that’s right,

I don’t know what to do with myself

Come to me again in the cold, cold night

I’ll just lie in my bed anxiously waiting until you go home

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Posted by admin in Poems on February 9th, 2010

This story is what I think of when I think of you.

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Seven: Written in the summer

Posted by admin in Poems on February 9th, 2010

“Rag mama rag this is the band, this is where it is remember shit can you remember this that time we had that don’t worry about that where did they go that is true where did they go now here there here there it can’t be like that where are they, where were they, that’s the wine on the wall this is where I was this is where I was ok this is where I was. Do you hear me? Know this is where I was. The wine and how do I stay out of that? Is that the character? This is the character, the addict, there is one old and young this is ok, there we go that’s fine there why you don’t want that character her e you don’t want that character here is that right ok.”

“That’s it.”

“Where did I go? Is that who you mean?”

“Be careful.”

“Thank you A.”

“Must be careful this is where the need comes from, the need, people knowing where is it going, this is where I was and this can’t go there, this was me calling J and this was me calling my d for lunch, this is lunch. This is lunch!”

“Start again, you here, start again.”

“Never should have taken the very best.”

“This is the table I miss.”

“What are you doing? How are you doing? How’s it going?”

“How’s it going? Pretty good how about you? Hi how are you?” pretty well

“How’s it going, Hi how are you, how is it going? Hi how are you? How’s it going? This is me, this is good I bow down to you to say I would like something from you I would like something from you say I would like things to be like this I have to get this off of my computer to get this going I have to get this going from off of my computer this is how it is going this is how it is going this is how it is going this is how it is going. I left and he took charge he took over I left and he took over this is what needs to happen I left and he took over. This went up too high, went up too high, this went up too high. Keep it lower must keep it lower, the flies ,the heat, the store, the Asian way, the way Dao is the way, the way there are many paths, these are the ways, this has to be clean like a meditation, clean like a meditation, we must ask to go into each other’s room, we have to ask to go into each other’s rooms, this is the way it will be then to ask to go into each other’s rooms we can do that, we have to ask to do that, I think this must be the way to do it, this must be the way to do it, this must be the way to do it. To ask to be grateful to go into what I have to do, this must be written down as it has been written down; this must be written down as it is written down. To combine all three to combine the three to ask before to ask before this will be written down to ask before.

Ok it is important to ask. I’ll ask next time this must be the thing to do to ask next time to ask next time. Please be for me and not for her why did I bring her there to help her to help her but I would like it if she would be there for me. This cannot be ok this whole thing what is going on must be careful and to ask if this is ok to ask the universe to ask to hear you wouldn’t believe what I have heard.

This is ok now be healthy this is who I must see maybe this is who I must see but I have to be careful this I must be careful about this it must be something to be careful about this I must be careful about. They are all crying and it’s very hard to write while they are all crying, they are all crying but I can’t help. I am here at least, I am in the garage and close to them.

Nest time nest time ovulation ok nest time I can keep going, I don’t have to do this I don’t have to I can’t find this anyway I probably can’t find this anyway. Maybe we should go together we should go see someone together we need to see a therapist together I guess we do we should I mean we should see two together. This is what I have this is what I have this is what I have this is what I have.

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Existential Crisis #4 or is that A Creative Crisis or is that creative illness or is that separation anxiety or is that self analysis or is that love found and lost, then web of loss, or is that a cocoon??

Posted by admin in Poems on February 9th, 2010

Oh haven’t I documented the last three?

1: I should preface this with, I had just moved off of college street after living above coco lezzone for almost three years and was wanting to leave the film industry and get married and have children, so this was after getting engaged and my fiancee moving into my new apartment on Bartlett with me from London, while still living in the apartment on Bartlett above Bloor after living with my roommate on college stand before getting married: Crisis

Result of crisis: Left film, started therapy and my second BA in psychology at York which I completed in 2002, two years with distinction and volunteering at the distress centre and in Kanauague Quebec, I never spell it right, as well, my first degree being Honours East Asian Studies McGill 91-95

2: After getting married and buying a house:Crisis

Result of crisis: Finished writing Persephone which I started in the apt on college street written originally for the Anvil Three Day Novel Writing contest, my roommate won, I edited his book, also took writing workshops with author Cary Fagan, and journalism courses at Ryerson and wrote for Eye weekly

3:After kid number one was 18months:Crisis

Result of crisis: wrote 56 poems, read them at the art bar and was told they were more like songs,  was already taking guitar lessons at central tech and in my instructors basement on Palmerston, singing from scratch at the royal conservatory a total trip, then pottery on Harbord, working on film Solace, painting lessons from my neighbours sister in her garden, then into U of T course 20th century abstraction

4:After kid number two was 18 months and my first kid went into grade one, huge separation:Crisis

Result of crisis be it existential or creative: Painting in a studio above The Department Gallery on Dundas West and, Writing, for six months, some group shows, also started poems on this blog, u of t modern architecture course and other prose, I suppose, and in the future like not this year because my kids too young, taking a Humber course on Creative Book Publishing and hopefully getting into the the writing schools correspondence course to write a novel from May to Nov will find out in a few days if Down the Street was accepted, the writer’s circle sounds cool too…

Dorthy Parker picking the word Horticulture out of a hat at one of the writers circles and having to use it in a sentence said:

You can lead a whore to culture but you can’t make her drink.”


If this is not enough shared biographical information for Word press and Google I also worked in film as an assistant director for 10 years and traveled, in no particular order, through Italy, and France, drove and camped through Cape Breton, PEI and Nova Scotia, Scotland, Drove all around Ireland and Northern Ireland to see the Baymoore stone circles just before the Omah bombing of the shopping mall by the IRA, lived in Montreal and edited Vice Magazine, Denmark, Germany, France, Switzerland, UK, camped on the Isle of White, and travelled for three months in China, Mongolia, Myanmar, camped on the beach in Jamaica and saw Jimmy Cliff and Ziggy Marley live, Dominican Republic, California(like 40 times and all kinds of crazy shit) , New York many times for new years and friends and fun, Israel for a friends wedding SO GLAD I WENT just after my fiance moved to T.O left him in our cockroach infested apartment and went for two weeks with friend, Jordan, London, Paris, The Japanese airport many times, Copenhagen, Brugge (piece of my heart there too) Germany did I say Germany already, Munich for a day couldn’t handle the English German accent but went to the Oktoberfest bar anyway “ein beer bitta”,  Berlin, the wall had just come down, walked around east Berlin and the zoo listening to Graceland on my yellow walkman, very surreal, went to Dacau, Amsterdam, bridges and canals and the redlight, ate space cake, went to Anne Franks attic, I have the same birthday as she did and Andy Taylor from Duran Duran or was it her sister…Budapest, Czechoslovakia (a piece of my heart is in Prague with Boris and Dorian who couldn’t go home to Croatia because of the war, and Greece), Santarini with the black sand almost stayed there and worked in a cafe and slept on the floor and rooves for that matter and beaches of course, Edinburgh many times once, the first time, for the film festival with my family drove around in shamu singing all the way, also Sundance that same summer, Drove from Caledon through Texas to Mexico, as well as from San diego to Tijuana, as well as club med Ixtapa, Atlanta, Louisiana, Memphis Graceland, Drove from T.O to Taos New Mexico reading The First Third and wrote with friends, Cuba etc…and was born and raised in Toronto and I’m Lithuanian,  (fuck not Lutheran) but know nothing about that at all, maybe German, maybe Dutch  Jew, Irish, English, maybe Dutch, French, Protestant, (ouch) Canadian Aquarian water rat with Polish, Ukrainian, (Russian), (Israeli) American and Native Canadian sensibilities in some form or another, would like to go to where Pilvishik Lithuania used to be someday to see where my grandparents were from on one side, would love to go to Poland and Russia too, have been to England and Ireland and seen the stone circles and kilns and castles and rolling green moores and landscape unlike any other

Still in therapy, personally and couples  -  try anything you can ie acupuncture, chiropractor, yoga but not right now, massage but not any more, working out,  now going to get into winter jogging, and swimming, trying out the new tabs, alittle p.o.t etc…a drink now and again and good healthy food, I want to be a vegetarian again, I want to learn Reiki, and of course coffee and music, cigarettes only on a rare night out and maybe a dog at some point like a German Shepard or a husky, lab mix or something crazy like that, I love a Doberman but you have to be careful around the kids…and of course spending time in the schools and at home with the kids and helping out where I can without being too annoying…and figuring out how to help people who don’t have these things in a crisis

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Thank you

Posted by admin in Poems on February 7th, 2010

for biking beside me

on my way to pick up my daughter

and take her to the doctor

And thank you for the white bike

I found on the ground

I’ll use it for nights


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Can I get you anything else?

Posted by admin in Poems on February 7th, 2010

Just your undying love

And the promise that the snarl is for me

I’m  in my room

you said you could handle it

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This user hasn’t shared

Posted by admin in Poems on February 6th, 2010

This user hasn’t shared any biographical information

- Google or is it word press and I’m being rude?

Who the fuck is Google or word press to say I haven’t shared ANY biographical info?

Who are the people commenting on personal biographical poetry in different languages under made up names?

Where are these user’s shared biographical information?

- Anonymous

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Who? What?

Posted by admin in Poems on February 6th, 2010

Who is you or him?

Who is it you or him?

Who is it me or you?

Who is me or you?

What is me and you?

What about time?

What about pressure?

What about the weather?

Do you want to kill it?

Will it

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Posted by admin in Poems on February 2nd, 2010

artlocal 21 represents a local of a larger union, that being the larger art community in Toronto, Queen Street boasting the most galleries in North America in a concentrated area. We like the idea of Dundas West too as a gallery district perhaps a cultural hub, Brockton…This idea of an art union is a bit of a communist concept where no one really profits on the backs of others, it is horizontal and lateral, everyone having something of value to offer, no one more important than the other in that of course everyone including children ride on their parents backs from time to time and have to make a living. artlocal happenings in our very neighbourhoods, the mothers and fathers of the community, the neighbour hood artist, art is a way of life. Being a parent; It is important to be a parent in an artistic way and living in an economically and culturally diverse community is important for learning and growth and most importantly support the families especially in a downtown core. The drop-in centre’s are like free families for isolated urban mothers and fathers, grandparents and children. The community centre for all, the Centre for Mental Health and Addiction, for all, the Coffee Shop, the Music Shop, the Pet Shop for all. This is a drop in art space for isolated urban artists. artlocal like rick ferrari is also a bit of an alter ego for the sensitive artiste in a multi-cultural country where language and communication is challenging for everyone, artlocal kicks in to try and protect. artlocal is also a place where art can be bought and sold. national history. writing about local life.  street name artlocal.  number 21.

Full Circle

I didn’t think that I would be here again

This time I don’t want to make the same mistakes

Consume, consume

What are the mistakes?

What is the fantasy?

Strengthen the core

No one knows the future

Not even I


Not always

It’s too far away to go at night

I will never paint

I will never write

I have to live there

I have no fucking room

All the space I could possibly have

But I still have no fucking room


No more plastic bags per se

Must pay

Only cloth

Or hard plastic stay

Now we use milk bags

Bread bags

Already in use bags











So that’s it?

Great amazing structures of colonialism

Or is it Nationalism?


Of take over

Of combinations of colonizers and the colonized

Cultural appropriation

Greek Revival

It will never last forever


Where are you?

Are you in the car?

Are you in the house?

The living room?

The dining room used for laundry?

The kitchen?

The bathroom?

The bedroom?

It’s mine not yours

The office?

Yours or mine?

Where are you?

I can’t find you


At all

Impressed by the cities ability to deal with the strike

The garbage could be much worse

Unions, CUPE, now hated

Always a problem

No jobs


No childcare

No work

No tourism….so selfish

I fucking hate CUPE

But trying not to hate in general

I cannot

I do think like this and so I must be like this. I can’t pretend but I can’t mix it in either, it’s just the way it goes, no mixing in this reality and then what about hormones and feeling life has no meaning and then meeting someone who’s love turns you on again is this right?

What do you do with this then? You walk around turned on and hope you don’t get attacked in a dark alley, you can’t be out at night all turned on and ovulating sending out the pheromones or what have you or is this just purely physical? A woman in heat. And does this mean it should mean less? Or maybe more because now that I think about it I really don’t feel this way very often or just once before really at the same age of my first daughter.

Was I looking for you? No, I just found you. When you decided we can’t have any more and I clearly cannot stop but agree we should not have more. This is what we have done; this is where we are going. I cannot hurt you now and I cannot be the older one who doesn’t recognize where things are going and blindly live in the 50’s, I cannot be her/e.


This angle doesn’t work for me it never has

So every time we have to adjust and remember that it never works for me

But you never do, you never remember, this may be a guy thing in which case I am so disheartened you can’t possible imagine because I love men but if you are all like this I am going to have some serious problems and then again maybe not so many because I will stay with the one I have and appreciate him because he is a keeper and what more could I want from a man who I was married too.

Maybe this marriage thing is the problem, my grandfather told me if you aren’t married then as a woman you aren’t protected, he is 95 and I think common law is pretty good now a days but what if you don’t even live with them that could be better for now anyway. ..I don’t know they say if you aren’t married it’s not for real, it won’t last but I know some who never were and they are fine.

I think I put too much into the dress and rings and all of this security means something but if from inside you don’t have it then it doesn’t matter or is this just marriage or years of being with someone in the same space it just happens, with kids it’s too hard for everyone or the loss we have had.

Is this what I will be searching about forever? I am sorry for that and I will have to remind you of the angle every time.

I only exist in this space

I didn’t think I would be here again,

Only tea,

Only tea,

Shhh shhh shhh

Sleep baby


My girlfriend lives up the street

I’m sorry I yelled “HEY!” while you were beautiful

I just couldn’t stand there quietly in your beauty

I was going to say something but

I wasn’t being me

I still see you sweeping in black surrounded by wood and old music

I must have seemed like a horrible force

One day maybe I can say to you in a soft sweet voice

“Baby, don’t clean it like that” like a kiss

I have already destroyed what I have

I feel for sure I can’t go back

All is lost

Nothing good can come of anything

This must be true

I am trapped with feet and hands and now going down this road



Are you good?

I can’t write this right now the kids just came down

Will They Always Hate Me

Will they always hate me and think it was me because I am the one who yells and you remain quietly passive the victim or the saviour and I the crazy European Jew who yells and gets no reaction from you is this better? If you weren’t a Jew, were a Jew or are you in your genes but not culturally/socially or is this genetic too so that is different would I then be the cold one that is my fear. Why do I never do the same? Why always the opposite way of communicating? Why do I never remember? If you yelled too maybe we would have had a problem. Now I know how to tone it down and you to not be so cold but is it too late, has the damage been done, will you be better off starting again too? Do we continue on? She said. I have parents that get along and turned our relationship into fantasy already and we are together that can’t be right. Some change is good, that word has taken on new meaning but the meaning is not always clear, and sometimes you have to make the change before you know. This is the problem now.

In my closet

I have a shirt that I keep in case the owner comes back for it

I gave away the jean shirt with the white pearly buttons

It’s actually a hooded sweater and a down vest

Will it fit you?

And the sleeves are there for cold weather writing

Some day

Organic or is it passive?

I always thought organic

Was the only way

To play

But now

I see

It is


In passivity

Tea, only tea,

In the afternoon

And evening

Are you with me?

When you take the empty cup away

My self goes with it

Throw it into you

Thrown into you

You say

You say

It hurts your feelings


I say

You throw my equilibrium off

When you talk like that

I ask you

Are we never supposed to be honest?

You say


I fucking hate you

I fucking hate you

And the way you speak

And eat

And smell

And taste

And your facade

And your weakness

And your strength

The thought of having sex with you makes me sick

Your little words of wisdom and encouragement too

I hate them all

In this moment

But maybe not the next


Leaves in the park

The darkness and the light



Wet smell of green grass

Over hanging trees

A dog

A man

A woman

Every one of them


A father

A daughter

A mother darting

Living it out on empty

Breathing heavy

Pounding through the grass

Off roading

In the fading light

When you talk to me like that

When you talk to me like that

My equilibrium goes off

The fluid in my head shifts

And I feel like I will spin

All the way down

Rainy Sunday afternoon

I just want to play with you

I can’t reach you here

Maybe for a moment or two

But I need longer than that

To check out your cat

You are so beautiful

I just want to touch you

Can you feel me here?

Are you going in today?

Just stay

Just stay

Crazy Weather

Is your baby

Caught in the rain

I have been angry for so long

Not understanding

Now I know why you never answer me

You don’t know the language

And I don’t know I’m speaking

Until now

I walk in

And see

All I have to do

Right there

And it hurts my eyes

My body ach-ing


I can’t stop hear-ing you

The sidewalks are full of strangers

Will you take me as I am?

Picturing you there

We could be man and wife

In that space

I hear you

What you are saying

Is true

And the yellow wallpaper too

I need your love

Your love


Your love


That love

Fire and rain


I will try to figure this out another way

This is true

Honest and blue

I have to be here

Don’t worry about me

I love still love

You can follow me

If any one knows the balance of this

It will be me

It will be me

Snowy day UK
I only wanted to cuddle
sorry if you thought I wanted to have sex

Yes I was ovulating
and the tackle was attractive as are you always
but didn’t you catch the play acting?
Now you are a man of morals

I would never have sex with someone else, not even you, being married
I would also rather die than live that kind of British male lie
you don’t know the half of it do you JI
A facade and deception and indiscretion
soul destroying now you are annoying


Love and (be) longing like Maslow’s triangle. Love and longing more poetic but still you can’t carry your love and longing, love and belonging, love and belongings with you all the time when you leave the house, when you are homeless without him or you would never survive and you cannot leave your love and longing, your love and belongings behind you or you would never survive

How long?

You cannot carry your love and longing around with you or you won’t survive

And if you leave your love and longing behind what is the point of surviving

I cursed her one time then wrote on her head

You are home

You can build what you are building


Keep what you have already built


Where has the yuppie gone?

Not that I’m complaining.”


We have come full circle

Is it Neo Modern?

A break with the past as at the last turn


Neo Arts and Crafts

Use your hands but it costs so much

Still desirable

Or a combo of the two

Creating something new


You were so surprised

When I put on make up

Did you think I wasn’t a woman before?

I still AM

Thanks for the reminder

But it’s nothing new to me

Just briefly forgotten and new

I hate

I really do

Every generation

Must make its own city

And this is you

“I have a city

In my mind”,

He said escaping

The Croatian War

Killer whales depress me

So does going back to bed

Thank you

Pilates mostly


Thank you





Don’t cross anything

Just bracket

I need my guitar to be at home

How are we supposed to play?

How is this supposed to work?


Yes way

No way

Uh huh

Nuh uh

Now Inside

And feeling better

The bad taste is on its way


Sunday Dec 6th

A heavy day

Remembering the shootings someone accused my father of

The poetry reading

Can’t really claim it for my own

Nor the music

Nor the coffee shop

Although all three are helping

I am outside

With a bad taste in my mouth

On January 17th, 2010

How is this supposed to work?

How are we supposed to play?



Artlocal 21 Presents a night of Poetry Readings » Artlocal 21 Presents a night of Poetry Readings

This entry was posted on Sunday, June 21st, 2009 and is filed under Poems. You can follow any responses The poets were talented and charismatic as was the audience, the department gallery with it’s dark orange curtains, black leather sofa and ottoman, lights and eclectic mix of wood and plastic coloured chairs, one black, I never did see who sat there. The benches and the back patio a perfect place to meet for a drink in between the taster, thanks MC, and the rest of the warm summer evening. The artwork colours mentioned throughout, the Canadian mixture of insects, the wilderness, waiting and watching, a loss of innocence, until the next one…

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Posted by admin in Poems on January 17th, 2010

How is this suppose to work?

How are we suppose to play?


Yes way

, , , , , , , , , , , , , , , , , , , , , ,

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Video, Art, Sexuality, Dreams and Viewing the Subconscious

Art Project: Longer Version and link to bigger youtube/facebookmix aka ART VIDEO

Posted by admin in Art Video, Art Writing on March 10th, 2010

There is an hour long version of just me at 16 and school friends and family…

These thumbnails are a drag

I had no idea that youtube had a male point of view

If you want to see the bigger facebookmix

Go to this link

1988, Abstract Art, Adam Russell Hunter, Art History, Art Project, Art Video, artlocal21, Canadian Art, David Cronenberg, Facebook, Michael Snow, mix, Toronto, unsyncopated, Video Art, You tube

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The Art of Non-Verbal Language

Posted by admin in Art Writing, Video Art on March 7th, 2010

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1987, Abstract Art, Adam Russell Hunter, Art Project, artlocal21, Brandon Cronenberg, Catherine Porter, Cry Freedom, Dan Augustino, Daphne, David Cronenberg, Erica, Ghost Busters, grade 11 art project, Highschool, John Lennon, Josh, Lisa Mathews, Martha Corcoron, Massacre of the Innocence, Michael Snow, Noelle Man, North Toronto Collegiate Institute, Scott Baines, Silent Movies, Stephen Biko, Tanya, Tara Jung, The Art of Non-Verbal Language, The Beatles, The Rolling Stones, Video Art, You tube, Zak Cross

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Dreams, this one maybe ovulatory…

Posted by admin in Art Writing, Dream Poems on March 4th, 2010

You were working next door to the party I was leaving, wearing a tuque  and a balmer jacket and a red skirt with red heels, I guess like Johnny Depp in that movie with Javier Bardem, I remember taking note, you turned around from what may have been the outdoor arcade game, you had a beard and I said “oh do you work hear?” and you said “Yeah” and I said “oh good”.  I was happy and smiled with some perspective on my profile, usually it’s just from my eyes.

I was circling around you, you in a white t-shirt maybe without the beard I couldn’t tell, my hand was running along your stomach as I walked around you, like we were dancing. You were smiling too.

You in profile with the beard, you said “I want to fuck you.”

There was an apartment at some point and my mother was visiting.

Afterward there was the train ride with another older man, completely naked with tattoos, I wish I could remember the dialogue, a dark cabin that looked like a modern small sized bedroom traveling the mountain side at first there was a cage and then not, it wasn’t working very well but we were still ok what was said was something, something fast and then I was close up, an inch away, into the face of another perhaps or the same, eyes with cataracts and a sharp nose smile.

At least this time you weren’t wearing your Pokemon amulet around your neck, in that dream I couldn’t get it off.

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Reel Artists Film Festival at the Al Green Theatre presents Louise Bourgeois: The Spider, The Mistress and The Tangerine

Posted by admin in Art Writing on February 27th, 2010

This excellent film that brought the viewers, Carolyn Zeifman, Documentary Filmmaker and wife of Fimmaker David Cronenberg, and I, as well as a full theatre,  into Louis Bourgeois` world , was made in 2008 by Marion Cajori and Amei Wallach, and it ran 99 minutes.The Miles Nadal Jewish Community Centre Al Green Theatre is a fantastic theatre to see an art film. One of the makers was present for the  introduction, in a great pair of red shoes, and is very accomplished in her own right having written eight novels and two essays and managed to interview this very edgy tempermental sculptor, installation artist, genius who almost smashed a peice of pottery in her presence.

The opening of this film reminded me of the film Spider,  ironically since she is probably most famous for her giant metal spider sculptures, Care saw one at the Tate Modern, the music, the brick, the broken glass and then it became a documentrary.

Well I suppose the spider is her mother, the mistress is well her father`s mistress of course and the tangerine is a sculpture of her that her father would cut out at the dinner table of her without a penis.

This film is fantasitc as is this 98 year old artist. She is an inspiration. What a title.

Born in France in 1911 obvioulsy to rich bourgeois parents, abandonned by her mother, obsessed with the seamstress (the seamstress`s room where sex was learned about) the mistress, meant to be her governess, and her father. She went to art shcool in France and met her husband, Arthur Goldwater a primative art historian who took her to New York. They had three sons and she went to the roof top and began to scuplt. She had tried painting in France in a studio there with her contemporaries and in New York found her way to deal with her anger and rage and that was to sculpt.

She was an ignored artist for years, always going against the trend of the time and one of the only women artists in rooms full of men, Breton, Duchamp, Masson, ” who she was very close to but rejected violently perhaps because they were like her father”.

There was a resurgance of interest in Bourgeios’ work by feminists in the 1970`s. Specifically the Gorilla Girls say that although Bourgeios claims to be an artist before a femminist, “Louise is our icon none-the-less”.

Once her husband died, who she said was like her mother, her brain, and not her father, her heart, she found Jerry, a man much, much younger than her, the age of her sons and who looks like her sons, who was somehow like her governess, her fathers mistress, and also like her father and it released something in her so that she could do her best and happiest 25 years of work.

Her art is very sexual , very passionate and very angry at times, as is she. To see her in her pink faux fur coat and sequinned hat walking around her installation entitled “The Child’s bedroom” or was it “the red room” with mirrors and a bed and hands and lamps. (no question mark yet sorry) is a beautiful very French thing.

She could “ put out an amazing amount of psychic energy, unlike most people, but she could also be a psychic vampire if you let her, if you didn`t leave her, I called her my french mistress“ one of her curator`s and agent said. She would often have fits and smash her pottery. Better to “smash her sculpture“ then people, she said. She smashed one that took her 25 years to put together again. An Upright figure with utters coming out of it’s pelvis, maybe 8 facing upwards.

There is a great picture of her holding a giant penius that she sculpted. She continuously fondles and feels things as she speaks throughout the film. She is quite feminine and masculine.

She still lives in Brooklyn and has people over on Sundays to discuss art and life, I wouldn’t have minded a bit of her there or on the street but then at 98 she’s on the street in the studio with the film crew. An absolutely facinating woman with a direct connection to her unconscious, she ” is unconscious”.

Abstract Art, Al Green Theatre, Art History, Arthur Goldwater, artist, artlocal21, Breton, Carloyn Zeifman, Caroline Blakiston, David Cronenberg, Duchamp, femminist, film festival, Gorilla Girls, Ichiyo Nagata, Installation Art, Louise Bourgeois, Margaret Hindson, Masson, Miles Nadal JCC, New York, Paris, Potter, Pottery, Reel Artists Film Festival, sculptor, Sculpture, Tate Modern, The Mistress, The Spider, The Tangerine, Toronto, women artists

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Screening New Snow at The Power Plant

Posted by admin in Art Writing on February 27th, 2010

Walking in a few minutes late it felt like I was entering a futurist opera. Pitch black, thirty or so silouetted chairs and people  infront of the fuzzy purple screen, the opera blaring. The feeling was intense. This was his opening film, not more than 10 minutes, and I loved it. The old style stereo I know so well mixed with humourous still photos, when I say still I mean not a camera panning, of flowers and waves. I felt it was an ode to the experiment in panning from the 60`s and the moving waves might have been at the end of Wavelength had it been made today. This was shot at a cottage and the movement and the still flowers reminded me of a man and woman from the mans perspective. It was poignant because of this and the out of focus attempts to turn the dial filmed me with feelings and emotions thinking of my grandfather and father.

“Any Complaints“ Mr Snow asked, hands in his pockets sheepishly smiling at the end of the two films. The second one being Reverberlin.

This was an hour long filmed concert inpart o rin whole in Berlin, that is the question I would ask now, with Snow at the piano and one of his band members playing what sounded like a diggery do with his mouth only and the other member playing the saxophone. “We`ve played together for 20 years,“ Snow told the audience and it showed. The music was unsycopated Jazz and the film was quite distorted and unsyncopated (or not in sync) itself. However the music playing was always with the appropriate instrument.

It was difficult to be forced to watch the mouth of the diggerydo man in such close up. At times it seemed he was ejaculating, at times he seemed angry and it was at times frightening, his mouth and jagged teeth toughing the microphone, his head being distorted by the camera, pulling him apart.

The saxophone player was blurred with the background and the lights behind him, the effect was like a japanese painting perhaps and was beautiful to look at, at times.

Once the viewer accepted being in this world and mostly in the face of this white bearded diggery do man it was a fate one accepted but not without an uncomfortable fight. One`s life strangely flashing before one`s eyes, Anne Francis, writer, editor, television maker, pointed out.

Snow`s piano playing was impressive and his style very unique. I did miss the blurring of reality or more the close ups that disintegrated reality and the distorions for example the ones at the end of the concert, it did feel as if they were in a recording studio in the basment and in Snows house and then to see them stand up and take a bow on a stage was very interesting and their bodies digitized outwards from their stomachs, it made the viewer unsure as to weather or not that was a video mistake at first but then it became clear it was on purpose, just.

During the Q and A Snow mentioned something interesting about sound and video, that they were connected with video in a way they aren`t connected in film.

“Any complaints?“ Snow so charming asks.  (My question mark is working now, out of French mode I guess, do they not ask questions in France?) Yes Susan Harris, environmentally conscious fashion designer extrodinaire, it was cute and funny.

No Mr. Snow, you are a gentleman and that film was something no woman would make, however, we certainly learnt about men from the experience. And the subconscious interplay, male and female, within the audience had many levels to it that are still dawning on me, right Sue how about you?

Again how did he do it?

Grandma`s Nephew may be next...

The Michael Snow retrospective continues on at The Power Plant until March 7th.

Abstract Art, Anne Francis, artlocal21, Canadian Art, Michael Snow, Music, Music Video, Reverberlin, Susan Harris, The Power Plant, Toronto, unsyncopated, Video Art, Wavelength

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Wavelength screening with Michael Snow and Elizabeth Legge hosted by the Power Plant at the Drake Underground

Posted by admin in Art Writing on February 19th, 2010

My first time seeing this amazing experimental film from Michael Snow made in 1967 was last night at the Drake Underground hosted by the PowerPlant and Elizabeth Legge the scholar, Art Historian, Professor at University of Toronto and author, who wrote a beautiful book on this film, which I look forward to reading. The room was packed and it didn’t look like I would get a seat.

“I can’t see in the dark”, Eric Woodley said, film and theatre composer and art critic for Canandian Art, as he walked up to me standing on the stairs, which of course hit me with all of it’s meaning during the film when I was sitting in front about five feet away from the screen. An excellent venue for this and the opening film, 10 minutes, an experiment in panning. The stereo, the bed, the discussion, the woman on the phone, the the flash of her naked at the end…

Wavelength, 45 minutes, took me on a journey through to the open window. Professor Legge gave a very interesting inspiring brief lecture at the beginning comparing cinema to great works of literature and french theory and there was a lovely Q and A at the end on a lovely sofa…I had the need to focus on the open window as the camera, “this film is all hand made” Snow told the audience, zooms slowly from one corner into, well “I don’t want to give away the ending”, said Legge, but I will.

I found myself completely enthralled and had a very personal experience with this film and an epiphany at the very end. It was right in front of my eyes, the damage and that it’s for “dissemination and teaching” Legge said. “Not the graceful introduction and transition I was hoping for,” Katie Crisp, curator for the Power Plant,  said gracefully transitioning from the film to the Q and A. Just as the film jumps, the superimposed image, at the end to take you into the final image…

Filmaker David Cronenberg and Documentary Filmaker Carolyn Zeifman wanted to be there but they were dealing with a new situation with his new film in the works, one of many, about Freud and Jung and Sabina Spielrein, from the book given to him by me,  A Most Dangerous Method, and then the play he found The Talking Cure, and it is fascinating, which now has Viggo to play Freud which is very exciting. He saw Wavelengths‘ debut at the Issac Gallery and “remembers it as if it were yesterday.”

Micheal Snow lived on our street growing up as a child and my first and only 10minute video from high school entitled “The Art of Non-Verbal Language” was I see now an ode to him.

Two men move a piece of furniture into the room.

The zoom begins.

The focus on the open window.

A man and a woman walk into the room.

The woman closes the window, I for a moment was quite claustrophobic until the man put on strawberry fields and then and only then could I be somewhat incarcerated, and enjoy looking around, reminded of Foucault here, Madness and Civilization,  with the two people in the room and forget eventually about the window being closed, I did have to check it at one point and was nonchalantly pleased that there was a crack left open.

We can’t just live outside forever can we?

This film made me aware of the exploration available to us in film regarding architecture and distance and art and nature and the most interesting of all human nature.

The yellow chair Mr Snow painted, also a sculptor at that time, like many abstract art pieces were perhaps later coloured or around that time as well, was comforting until it became clear that the large wooden handsome desk chair was turned out, as well one can’t see in the bright. The white outs were comforting but not the faded white outs. The richness of colour was always welcoming and wanted, the turned out desk chair was worrying and reminded me of the Martin Kippenberger furniture exhibit based on Kafkas Amerika, that was on at the MOMA in May last year, the office furniture, and the large window panes with the old writing out the windows. I found myself at times wanting to read the writing, some 1950’s writing or even earlier I’m sure. I would have to see the film again and take note of where that was exactly.

This sense of the power dynamic is tied to the desk and chair and yellow chair, the one with out the power sits there but the larger chair is turned out which is kind of distressing. I hate a chair turned out empty from a desk, I always turn it back and that desk, I have one just like it in my very own middle room, and then the man with the beard comes in shot maybe and dies and maybe he had the power and you are sad he is going and finally he is gone and then you can focus on sitting in the yellow chair. I thought of my older daughter here and at the beginning and what you  might think about with out him there or without the power there. It hit me right at the base of my scull. And the sounds the drone also factory like in some ways and the buses and the workers but in the room it is art and a factory.

The woman in the fur coat comes in, who is gorgeous and also looks like a man and calls a man and says there is a man dead on the floor and he has to come and take care of it. And then her ghostly image replayed and she has passed too. You realize here how amazing a person is and what they can bring when it is a close up rather than every one so far away.

One does also deal with the closed window, the forced power dynamic and death, by looking at the pictures on the wall and trying to decipher what they are of. When it goes above the yellow chair and onward, I don’t want to spoil the ending…I thought it was a poorly done landscape painting for the longest time but it turns out its a beautiful photograph, and the two at the top like Hiroshima maybe…what was the other one?

The quality of print was excellent,Professor Legge mentioned on the sofa, the grainy pink shadows so beautiful. I thought of closeness and my youngest daughter and wanted to go there instead and fought until the superimposed jump into the water and I dove in…well was hit with it really but first, the waves did ” look like clouds”, as Dennis Reid, head of Canadian art at the AGO and professor of Canadian art at the University of Toronto, mentioned. I saw faces and animal shapes emerging and then the “epiphany”, that someone mentioned from the audience which hit the nail right on the head so to speak,  that is, foreground, then to the distance and then back and hit with the truth right in front of my face. “Everytime,” Professor Reid said when I turned to look at him. So now I have to see it again, it must be a different epiphany everytime right??

How did he do it?

A Most Dangerous Method, Aaron Woodley, Abstract Art, Adam Russell Hunter, AGO, Amy Cormier, Art History, artlocal21, Bertrand Russell, Brandon Cronenberg, British, Caitlin Cronenberg, Canadian Art, Carl Jung, Caroline Blakiston, Caroline Waterlow, Carolyn Zeifman, Colleen Hixenbaugh, Dance, David Cronenberg, Denise Cronenberg, Dennis Reid, Elizabeth Legge, Eric Woodley, Erin Parton, Experimental Film, Fashion, film, Food, Humber School for Writer’s, Jeffery Nesker, Jennifer Evans, Johanna Reynolds, Katherine Mulherin Gallery, Katie Crisp, Lisa Deanne Smith, Literature, Madness and Civilization, Martin Kippenberger, Melanie Janisse, Meredith Woodley, Michael Snow, Michel Foucault, MOMA, Music, Nancy Friedland, New York, OCAD, P.G. Tarr, Painting, Photography, Ron Sexsmith, Russell Hunter, Ryerson, Sabina Spielrein, script doctor, Sigmund Freud, Sreenplay, Stephen Bulgar Gallery, Stephen Zeifman, Stewart Jones, Susan Harris, Susan Sontag, Textiles, The Drake Underground, The Gladstone Hotel, The Power Plant, The Talking Cure, The White Squirrel, Toronto, U of T, Video Art, Viggo Mortensen, Vladimir Spicanovic, Wavelength, Wendy Schor-Haim, Zachary Kellum, Zoots

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